For Schiaparelli’s Spring/Summer 2023 haute couture presentation in January 2023, creative director Daniel Roseberry sent models down the runway wearing gowns crowned with astonishingly lifelike three-dimensional animal heads: a snarling wolf, a leopard, and a lion. Kylie Jenner wore the lion-headed look, while Shalom Harlow, Irina Shayk, and Naomi Campbell modeled the other creatures. Roseberry explained that the animals alluded to the beasts encountered in the opening of Dante’s Inferno, giving the collection a deliberately infernal and allegorical atmosphere rather than presenting the garments as ordinary eveningwear. The hyperrealistic sculptures provoked fierce online debate, particularly from animal-rights activists and viewers who initially questioned whether real taxidermy or fur had been used. Schiaparelli emphasized that the pieces were entirely artificial, constructed from resin, foam, silk, and other non-fur materials. The episode became a defining example of contemporary couture’s ability to blur fashion, sculpture, theatrical performance, and controversy, while demonstrating how celebrity dressing could transform a runway image into a global cultural flashpoint.
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AI concept artworkArchive Record · 2020s
Schiaparelli’s 2023 Couture Beasts Turned the Runway into Dante’s Inferno
Schiaparelli, Daniel Roseberry / 2020s
For Schiaparelli’s Spring/Summer 2023 haute couture presentation in January 2023, creative director Daniel Roseberry sent models down the runway wearing gowns crowned with astonishingly lifelike three-dimensional animal heads: a snarling wolf, a leopard, and a lion. Kylie Jenner wore the lion-headed look, while Shalom Harlow, Irina Shayk, and Naomi Campbell modeled the other creatures. Roseberry explained that the animals alluded to the beasts encountered in the opening of Dante’s Inferno, giving the collection a deliberately infernal and allegorical atmosphere rather than presenting the garments as ordinary eveningwear. The hyperrealistic sculptures provoked fierce online debate, particularly from animal-rights activists and viewers who initially questioned whether real taxidermy or fur had been used. Schiaparelli emphasized that the pieces were entirely artificial, constructed from resin, foam, silk, and other non-fur materials. The episode became a defining example of contemporary couture’s ability to blur fashion, sculpture, theatrical performance, and controversy, while demonstrating how celebrity dressing could transform a runway image into a global cultural flashpoint.
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