In 2009, the Falic Fashion Group placed the Christian Lacroix business into administration, laying off all but 12 workers and proposing to close both its haute couture and prêt-à-porter operations while preserving only licensing agreements for accessories and perfume. Lacroix privately financed his Autumn/Winter 2009 haute couture collection in an attempt to give the house a final creative statement. The models were reportedly paid only €50 each, a stark contrast to the grandeur of the garments and the traditional mythology of couture. With potential investors, including Ali Al-Naimi, failing to provide financial guarantees before the court deadline, the rescue effort collapsed. Lacroix said he did not want to cry and hoped to continue through a small atelier, adding that what mattered most to him was the women who performed the painstaking work. The episode exposed the fragility behind couture spectacle: an internationally celebrated designer could still be left staging a final collection through personal financing, mass layoffs, and token model fees.
Preparing the daily feature…
AI concept artworkArchive Record · 2000s
The Last Christian Lacroix Couture Show: A Privately Financed Collection and Models Paid €50
Christian Lacroix / 2000s
In 2009, the Falic Fashion Group placed the Christian Lacroix business into administration, laying off all but 12 workers and proposing to close both its haute couture and prêt-à-porter operations while preserving only licensing agreements for accessories and perfume. Lacroix privately financed his Autumn/Winter 2009 haute couture collection in an attempt to give the house a final creative statement. The models were reportedly paid only €50 each, a stark contrast to the grandeur of the garments and the traditional mythology of couture. With potential investors, including Ali Al-Naimi, failing to provide financial guarantees before the court deadline, the rescue effort collapsed. Lacroix said he did not want to cry and hoped to continue through a small atelier, adding that what mattered most to him was the women who performed the painstaking work. The episode exposed the fragility behind couture spectacle: an internationally celebrated designer could still be left staging a final collection through personal financing, mass layoffs, and token model fees.
The daily editorial is currently unavailable. There’s still an entire archive to explore.
