Else Oppler-Legband had built a substantial career at the intersection of fashion, architecture, theater, and cinema. A member of the Deutscher Werkbund by 1913 at the latest, she belonged to the German Lebensreform movement that challenged restrictive women’s clothing and promoted simpler, less ornamented forms. Alongside her husband, artistic director and stage designer Paul Legband, she worked in theater and later designed costumes and sets for cinema during the experimental cultural climate of the 1910s and 1920s. Her work represented a modern, reformist vision of dress at precisely the moment when Berlin was becoming a major laboratory for avant-garde design.
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AI concept artworkArchive Record · 1930s
The Nazi Regime’s Expulsion of Jewish Costume Designer Else Oppler-Legband
Else Oppler-Legband / 1930s
Else Oppler-Legband had built a substantial career at the intersection of fashion, architecture, theater, and cinema. A member of the Deutscher Werkbund by 1913 at the latest, she belonged to the German Lebensreform movement that challenged restrictive women’s clothing and promoted simpler, less ornamented forms. Alongside her husband, artistic director and stage designer Paul Legband, she worked in theater and later designed costumes and sets for cinema during the experimental cultural climate of the 1910s and 1920s. Her work represented a modern, reformist vision of dress at precisely the moment when Berlin was becoming a major laboratory for avant-garde design.
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