When Orlando von Einsiedel and producer Joanna Natasegara's short documentary The White Helmets swept the Academy Award for Best Documentary (Short Subject) at the 89th Academy Awards in 2017, one stark piece of irony underscored the victory: the film’s cinematographer, Khaled Khateeb, was not there to share the spotlight. Von Einsiedel had tapped Khateeb — a Syria Civil Defence volunteer who had been informally documenting rescue missions since 2013 — to capture life-and-death rescues in Aleppo and training in Turkey. Khateeb’s footage is central to the film’s intimate, harrowing portrait of volunteer rescuers operating under bombardment, but he was unable to travel to Los Angeles because he was denied entry into the United States and therefore could not attend the ceremony to accept the award alongside the foreign crew.
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AI concept artworkArchive Record · 2010s
Oscar Night Without Its Cameraman: Khaled Khateeb Denied Entry to the United States
The White Helmets (film) / 2010s
When Orlando von Einsiedel and producer Joanna Natasegara's short documentary The White Helmets swept the Academy Award for Best Documentary (Short Subject) at the 89th Academy Awards in 2017, one stark piece of irony underscored the victory: the film’s cinematographer, Khaled Khateeb, was not there to share the spotlight. Von Einsiedel had tapped Khateeb — a Syria Civil Defence volunteer who had been informally documenting rescue missions since 2013 — to capture life-and-death rescues in Aleppo and training in Turkey. Khateeb’s footage is central to the film’s intimate, harrowing portrait of volunteer rescuers operating under bombardment, but he was unable to travel to Los Angeles because he was denied entry into the United States and therefore could not attend the ceremony to accept the award alongside the foreign crew.
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