During an early-career audition for Dino De Laurentiis's King Kong remake (the mid-1970s production that culminated in the 1976 film), producer De Laurentiis allegedly muttered to his son in Italian, 'This is so ugly. Why did you bring me this?' The kicker: Streep understood Italian. Rather than crumble, she later recounted the episode with a mixture of astonishment and wry dignity — telling De Laurentiis she was 'sorry that I'm not as beautiful as I should be' and refusing to be cowed. The exchange encapsulates a recurring, ugly theme of the era: blunt industry judgments about female appearance, even from heavyweight producers. The moment didn't win her the part and became one of those early Hollywood anecdotes that signaled to Streep the petty cruelties of casting rooms and the aesthetic gatekeeping women routinely endured.
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AI concept artworkArchive Record · 1970s
Dino De Laurentiis' Brutal Italian Aside: 'This is so ugly' — and Streep's Quiet Retort
Meryl Streep (King Kong audition) / 1970s
During an early-career audition for Dino De Laurentiis's King Kong remake (the mid-1970s production that culminated in the 1976 film), producer De Laurentiis allegedly muttered to his son in Italian, 'This is so ugly. Why did you bring me this?' The kicker: Streep understood Italian. Rather than crumble, she later recounted the episode with a mixture of astonishment and wry dignity — telling De Laurentiis she was 'sorry that I'm not as beautiful as I should be' and refusing to be cowed. The exchange encapsulates a recurring, ugly theme of the era: blunt industry judgments about female appearance, even from heavyweight producers. The moment didn't win her the part and became one of those early Hollywood anecdotes that signaled to Streep the petty cruelties of casting rooms and the aesthetic gatekeeping women routinely endured.
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