For the film’s climactic destruction of the secret government headquarters, Dino De Laurentiis initially wanted to buy North Carolina’s historic Orton Plantation and set the actual house ablaze. During location scouting, De Laurentiis, producer Frank Capra Jr., and Martha De Laurentiis had selected the property after seeing it featured in Southern Accents magazine. De Laurentiis approached owners James and Luola Sprunt with the extraordinary proposal, but they refused to sell the historic estate for demolition. They did allow the production to use Orton for exterior photography and limited interior scenes. The filmmakers solved the problem by constructing a smaller replica of the main house, which could be safely burned for the dramatic fire sequence. The incident is a striking example of the destructive ambitions that large-scale productions sometimes brought to historic locations, even though in this case the owners’ refusal preserved the original property. Orton Plantation later appeared in dozens of other film and television productions and is now owned by Louis Moore Bacon.
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AI concept artworkArchive Record · 1980s
The Firestarter Production Built a Replica to Burn Instead of Destroying Orton Plantation
Firestarter / 1980s
For the film’s climactic destruction of the secret government headquarters, Dino De Laurentiis initially wanted to buy North Carolina’s historic Orton Plantation and set the actual house ablaze. During location scouting, De Laurentiis, producer Frank Capra Jr., and Martha De Laurentiis had selected the property after seeing it featured in Southern Accents magazine. De Laurentiis approached owners James and Luola Sprunt with the extraordinary proposal, but they refused to sell the historic estate for demolition. They did allow the production to use Orton for exterior photography and limited interior scenes. The filmmakers solved the problem by constructing a smaller replica of the main house, which could be safely burned for the dramatic fire sequence. The incident is a striking example of the destructive ambitions that large-scale productions sometimes brought to historic locations, even though in this case the owners’ refusal preserved the original property. Orton Plantation later appeared in dozens of other film and television productions and is now owned by Louis Moore Bacon.
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