The production generated one of the film's strangest behind-the-scenes episodes through the casting of the performer credited as Claire Lumiere. Lumiere had originally been hired to handle craft services, while Georgina Spelvin—then a 36-year-old former Broadway chorus girl—also reportedly cooked for the small production. According to later interviews, the filmmakers offered Lumiere an additional $100 to appear in a lesbian scene with Spelvin, and she accepted. The arrangement was especially intimate because Spelvin and Lumiere were lovers at the time; they later explained that they took the adult-film work partly to raise money for their film collective. The episode illustrates the improvised economics of early-1970s adult filmmaking, where a crew member could be moved in front of the camera during production and performers often combined acting, cooking, and other practical jobs to keep a low-budget film alive. It also coincided with Spelvin adopting her famous stage name, derived from the theatrical pseudonym George Spelvin, which traditionally concealed a performer's identity.
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AI concept artworkArchive Record · 1970s
The $100 Scene That Turned a Craft-Services Hire into Georgina Spelvin's Screen Partner
The Devil in Miss Jones / 1970s
The production generated one of the film's strangest behind-the-scenes episodes through the casting of the performer credited as Claire Lumiere. Lumiere had originally been hired to handle craft services, while Georgina Spelvin—then a 36-year-old former Broadway chorus girl—also reportedly cooked for the small production. According to later interviews, the filmmakers offered Lumiere an additional $100 to appear in a lesbian scene with Spelvin, and she accepted. The arrangement was especially intimate because Spelvin and Lumiere were lovers at the time; they later explained that they took the adult-film work partly to raise money for their film collective. The episode illustrates the improvised economics of early-1970s adult filmmaking, where a crew member could be moved in front of the camera during production and performers often combined acting, cooking, and other practical jobs to keep a low-budget film alive. It also coincided with Spelvin adopting her famous stage name, derived from the theatrical pseudonym George Spelvin, which traditionally concealed a performer's identity.
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