The wrap party for Crimes of Passion ended with an unusually theatrical real-life ceremony aboard the Queen Mary in Long Beach. Ken Russell married his longtime companion, Vivian Jolly, during the celebration, and the officiant was Anthony Perkins, who had become an ordained minister through the Universal Life Church. Perkins later said Russell had suggested the idea and that he initially assumed the director was joking. Russell had apparently researched the arrangement, discovered that paying $25 could make Perkins a member of the church and legally eligible to perform the ceremony, and proceeded with it. The episode was not a publicity stunt from the film's fictional world but an actual wedding embedded in the production's farewell party, giving an already controversial shoot one of its strangest behind-the-scenes codas. Perkins's dual role as star and wedding officiant also neatly captured the production's eccentric blend of religious imagery, sexual provocation, and Russell's taste for flamboyant theatricality.
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AI concept artworkArchive Record · 1980s
Anthony Perkins Officiated Ken Russell's Wedding at the Crimes of Passion Wrap Party
Ken Russell and Anthony Perkins / 1980s
The wrap party for Crimes of Passion ended with an unusually theatrical real-life ceremony aboard the Queen Mary in Long Beach. Ken Russell married his longtime companion, Vivian Jolly, during the celebration, and the officiant was Anthony Perkins, who had become an ordained minister through the Universal Life Church. Perkins later said Russell had suggested the idea and that he initially assumed the director was joking. Russell had apparently researched the arrangement, discovered that paying $25 could make Perkins a member of the church and legally eligible to perform the ceremony, and proceeded with it. The episode was not a publicity stunt from the film's fictional world but an actual wedding embedded in the production's farewell party, giving an already controversial shoot one of its strangest behind-the-scenes codas. Perkins's dual role as star and wedding officiant also neatly captured the production's eccentric blend of religious imagery, sexual provocation, and Russell's taste for flamboyant theatricality.
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