The celebrated centrepiece of Steven Spielberg’s breezy 2002 caper — Leonardo DiCaprio’s charming young fraudster and Tom Hanks’s dogged FBI agent — rests on a life story that, over decades, has unraveled into one of Hollywood’s more enduring fabrications. Frank Abagnale sold the film rights to his 1980 autobiography and cultivated a public image as the teenage mastermind who posed as a Pan Am pilot, a Georgia doctor and a Louisiana prosecutor, cashing out millions in forged checks. DreamWorks shepherded the project through an odyssey of studios and producers (Norman Lear and Bud Yorkin, Columbia, Hall Bartlett, Hollywood Pictures, TriStar, and finally DreamWorks), and Spielberg — who insisted on verisimilitude in relationships and scams — marketed the finished movie carefully as “inspired by a true story.” Abagnale even pops up in a cameo as a French police officer, lending the whole enterprise a wink of authenticity.
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AI concept artworkArchive Record · 2000s
The Great Con of the Con Man: How Frank Abagnale’s Life Story Became Hollywood Myth
Frank Abagnale Jr. / Catch Me If You Can (2002) / 2000s
The celebrated centrepiece of Steven Spielberg’s breezy 2002 caper — Leonardo DiCaprio’s charming young fraudster and Tom Hanks’s dogged FBI agent — rests on a life story that, over decades, has unraveled into one of Hollywood’s more enduring fabrications. Frank Abagnale sold the film rights to his 1980 autobiography and cultivated a public image as the teenage mastermind who posed as a Pan Am pilot, a Georgia doctor and a Louisiana prosecutor, cashing out millions in forged checks. DreamWorks shepherded the project through an odyssey of studios and producers (Norman Lear and Bud Yorkin, Columbia, Hall Bartlett, Hollywood Pictures, TriStar, and finally DreamWorks), and Spielberg — who insisted on verisimilitude in relationships and scams — marketed the finished movie carefully as “inspired by a true story.” Abagnale even pops up in a cameo as a French police officer, lending the whole enterprise a wink of authenticity.
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