Joel Grey had already been cast as the Master of Ceremonies by producer Cy Feuer and had originated the role in the 1966 Broadway production. Fosse, arriving later as director, disliked the idea of retaining Grey and reportedly issued an ultimatum: either Grey went, or Fosse would walk away. The studio refused to surrender its proven star, leaving Fosse to back down and direct the picture with Grey still in place. Their relationship remained cool during production, but the result made the dispute look particularly awkward in retrospect: Grey’s grotesque, insinuating performance won the Academy Award for Best Supporting Actor, while Fosse won Best Director. The very actor Fosse had tried to remove became one of the film’s defining artistic weapons.
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AI concept artworkArchive Record · 1970s
The ‘It’s Me or Joel’ Ultimatum Bob Fosse Lost on Cabaret
Bob Fosse and Joel Grey / 1970s
Joel Grey had already been cast as the Master of Ceremonies by producer Cy Feuer and had originated the role in the 1966 Broadway production. Fosse, arriving later as director, disliked the idea of retaining Grey and reportedly issued an ultimatum: either Grey went, or Fosse would walk away. The studio refused to surrender its proven star, leaving Fosse to back down and direct the picture with Grey still in place. Their relationship remained cool during production, but the result made the dispute look particularly awkward in retrospect: Grey’s grotesque, insinuating performance won the Academy Award for Best Supporting Actor, while Fosse won Best Director. The very actor Fosse had tried to remove became one of the film’s defining artistic weapons.
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