Bananas was originally conceived with an ending far more inflammatory than the version released in 1971. According to Woody Allen biographer Julian Fox, the finale would have sent Fielding Mellish to Columbia University to deliver a revolutionary speech, only for him to emerge from an explosion wearing blackface. The idea was ultimately discarded after co-editor Ralph Rosenblum persuaded Allen that the gag was unacceptable and would overwhelm the comedy surrounding it. The released film instead concludes with Mellish’s absurd courtroom ordeal, suspended prison sentence, and Howard Cosell-style coverage of his comically disastrous wedding night. The unused ending survives as an unsettling glimpse of how aggressively provocative racial humor could still be considered within the boundaries of early-1970s comedy, even as the filmmakers recognized that the image would derail the film’s tone and invite justified condemnation.
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AI concept artworkArchive Record · 1970s
The Abandoned Blackface Finale That Nearly Ended Bananas on a Shockingly Different Note
Bananas / 1970s
Bananas was originally conceived with an ending far more inflammatory than the version released in 1971. According to Woody Allen biographer Julian Fox, the finale would have sent Fielding Mellish to Columbia University to deliver a revolutionary speech, only for him to emerge from an explosion wearing blackface. The idea was ultimately discarded after co-editor Ralph Rosenblum persuaded Allen that the gag was unacceptable and would overwhelm the comedy surrounding it. The released film instead concludes with Mellish’s absurd courtroom ordeal, suspended prison sentence, and Howard Cosell-style coverage of his comically disastrous wedding night. The unused ending survives as an unsettling glimpse of how aggressively provocative racial humor could still be considered within the boundaries of early-1970s comedy, even as the filmmakers recognized that the image would derail the film’s tone and invite justified condemnation.
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