Encounter with the Unknown was marketed as a collection of three supernatural cases supposedly grounded in research by Dr. Jonathan Rankin, a parapsychologist whose authority is invoked in the film's opening narration. The historical problem is that no such researcher appears in the known annals of parapsychology, making Rankin evidently a fictional device created to give the anthology an air of documentary legitimacy. The film's strategy was typical of early-1970s occult cinema: present eerie anecdotes in the tone of investigative fact, then allow Rod Serling's grave narration to blur the boundary between folklore and reported evidence. The first segment's curse-like chain of deaths and the unexplained subterranean hole are likewise presented as allegedly true mysteries, but the source provides no corroborating records for either case.
Preparing the daily feature…
AI concept artworkArchive Record · 1970s
The Phantom Parapsychologist and the Borrowed Vanishing Hitchhiker Legend
Encounter with the Unknown / 1970s
Encounter with the Unknown was marketed as a collection of three supernatural cases supposedly grounded in research by Dr. Jonathan Rankin, a parapsychologist whose authority is invoked in the film's opening narration. The historical problem is that no such researcher appears in the known annals of parapsychology, making Rankin evidently a fictional device created to give the anthology an air of documentary legitimacy. The film's strategy was typical of early-1970s occult cinema: present eerie anecdotes in the tone of investigative fact, then allow Rod Serling's grave narration to blur the boundary between folklore and reported evidence. The first segment's curse-like chain of deaths and the unexplained subterranean hole are likewise presented as allegedly true mysteries, but the source provides no corroborating records for either case.
The daily feature is taking an intermission. There’s still an entire archive to explore.
