Among the strangest stories attached to The Blue Bird is George Cukor's claim that Cicely Tyson was trying to 'jinx' the production by casting voodoo spells on the set. The accusation appeared in accounts of the chaotic shoot alongside the film's language barriers, illness, delayed schedule, and disputes over the crew. It is best treated as Cukor's reported perception or allegation, not as an established event: no evidence is provided that Tyson actually practiced or attempted such rituals, and the source does not document a specific incident, object, or witness confirming the claim. The episode illustrates how a difficult international production could generate exoticized explanations for ordinary tensions and logistical failures. In historical terms, the remarkable fact is that the director reportedly blamed a fellow star for supernatural sabotage while the production was already struggling with concrete problems such as medical emergencies, cinematography changes, and executive intervention.
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AI concept artworkArchive Record · 1970s
George Cukor's Unsubstantiated Voodoo Accusation Against Cicely Tyson
George Cukor and Cicely Tyson / 1970s
Among the strangest stories attached to The Blue Bird is George Cukor's claim that Cicely Tyson was trying to 'jinx' the production by casting voodoo spells on the set. The accusation appeared in accounts of the chaotic shoot alongside the film's language barriers, illness, delayed schedule, and disputes over the crew. It is best treated as Cukor's reported perception or allegation, not as an established event: no evidence is provided that Tyson actually practiced or attempted such rituals, and the source does not document a specific incident, object, or witness confirming the claim. The episode illustrates how a difficult international production could generate exoticized explanations for ordinary tensions and logistical failures. In historical terms, the remarkable fact is that the director reportedly blamed a fellow star for supernatural sabotage while the production was already struggling with concrete problems such as medical emergencies, cinematography changes, and executive intervention.
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