Long before he became Stanley Kubrick’s executive producer on Barry Lyndon and The Shining, Jan Harlan was a researcher on Kubrick’s obsessive Napoleon project. In 1968 Kubrick dispatched Harlan — because he spoke German and could negotiate on the ground in Eastern Europe — to Romania to organise the massive army scenes Kubrick envisioned for his biopic of Napoleon. Those scouting missions, the painstaking collection of uniforms, orders of battle and period detail, and the mountains of research assembled by Harlan and the Kubrick team fed a cultural legend: an exquisitely detailed but never-made epic that film historians have termed “the greatest movie never made.” Decades later Harlan helped steward and open those archives — assisting Alison Castle on the 2009 Taschen volume Stanley Kubrick’s Napoleon: The Greatest Movie Never Made and speaking about the files at the Cambridge Film Festival in 2010 — turning the project’s unrealized scale into one of cinema scholarship’s most durable myths and sources.
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AI concept artworkArchive Record · New Hollywood
The man who helped assemble Kubrick’s undone epic: Jan Harlan’s 1968 Romanian army scouting and the long life of ‘The Greatest Movie Never Made’
Stanley Kubrick’s Napoleon (unmade) / Jan Harlan (researcher) / New Hollywood
Long before he became Stanley Kubrick’s executive producer on Barry Lyndon and The Shining, Jan Harlan was a researcher on Kubrick’s obsessive Napoleon project. In 1968 Kubrick dispatched Harlan — because he spoke German and could negotiate on the ground in Eastern Europe — to Romania to organise the massive army scenes Kubrick envisioned for his biopic of Napoleon. Those scouting missions, the painstaking collection of uniforms, orders of battle and period detail, and the mountains of research assembled by Harlan and the Kubrick team fed a cultural legend: an exquisitely detailed but never-made epic that film historians have termed “the greatest movie never made.” Decades later Harlan helped steward and open those archives — assisting Alison Castle on the 2009 Taschen volume Stanley Kubrick’s Napoleon: The Greatest Movie Never Made and speaking about the files at the Cambridge Film Festival in 2010 — turning the project’s unrealized scale into one of cinema scholarship’s most durable myths and sources.
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